Friday, December 23, 2016

Keanan Duffty, Glen Matlock to Speak on Fashion, Music at Polimoda School

December 23, 2016 by Jean Palmieri WWD

The Polimoda fashion school in Florence will host a lecture on the intersection of fashion and music during the Pitti Uomo show in January.

Sex Pistols founder Glen Matlock will join Council of Fashion Designers of America member Keanan Duffty for a guest lecture entitled The Saturday Boys on Jan. 11 at 5:30 p.m. The presentation will open the Polimoda Rendez-Vous series for 2017.

Duffty said he was invited to give a keynote lecture by Polimoda’s dean, Danilo Venturi and asked Matlock to join him since 2017 marks the 40th anniversary of the Sex Pistols’ Never Mind the Bollock album, which was a defining moment for punk music.

According to Duffty, Matlock worked in Malcolm McLaren and Vivienne Westwood’s Let It Rock shop in the early Seventies and printed many of their early provocative T-shirts. “He has an insider’s view of London rock ‘n’ roll fashion, which can also be found in his autobiography ‘I Was a Teenage Sex Pistol.’ He has an encyclopedia knowledge of youth culture like that of Gary Kemp from Spandau Ballet,” Duffty said. The British-born Duffty is also versed in the fashion and music culture. He started out creating hats for Steph Raynor and Helen Robinson’s PX in London’s Covent Gardens

Monday, December 5, 2016

AC Hotels campaign photographed by Nigel Barker

Happy to be part of the AC Hotels campaign photographed by my mate Nigel Barker. That's him behind the lens and Crissy Barker, Nigel's lovely wife, in white. The print ad is in this month's Travel & Leisure magazine.

Saturday, September 24, 2016

Keanan Duffty Rocks New Role With John Varvatos

FASHION SCHOOL DAILY: Can you talk about playing at the initial opening of the Varvatos store on the Bowery?
KEANAN DUFFTY: My band, Slinky Vagabond, features Earl Slick (Bowie), Glen Matlock (The ex Pistols) and Clem Burke (Blondie). Clem and I played at the opening of 315 Bowery in 2008 (a space that formerly housed the seminal underground music club CBGB’s.). The bill was Slash, Ronnie Spector, Tom Morello (Rage Against The Machine), Alan Vega (Suicide), Ian Hunter, Cheetah Chrome (Dead Boys), Joan Jett, and Handsome Dick Manitoba (The Dictators).
FSD: What are some of the existing parts of STAR USA you most admire? How do you plan to tweak or build on what’s come before, either in design or as part of an overall marketing strategy?
KD: My good friend Dylan Jones, who is Editor of GQ UK and president of London Men’s Collections, told me that John Varvatos is perceived as a major player in the world of men’s wear. I think that is absolutely true. John has built an amazing, global brand with a very high level of aesthetic and taste. I have a great admiration for him as this is not easy to do on a large scale.
 John Varvatos Star USA is part of the big picture and since its price point is a bit lower than the collection, it is more accessible for the millennial guy who is a big part of our core customer.
The San Francisco John Varvatos store has a dedicated section on the second floor and Academy students should check it out.
JV Star USA is more denim oriented, more casual and has a different kind of “edge” than the [rest of the} collection. I plan to build and build on that along with my very talented design team and the great fabric sourcing and product development teams. There’s a lot of talent in the company, all led by John himself, who on top of being extremely talented, is also a super cool guy.

FSD: How does the celebration of the David Bowie legacy (particularly after his death) play into all this? What do you see as the major demographic? Who are the potential customers for the brand?
KD: The collection I created in collaboration with David Bowie was for Target, and therefore a different price point and it skewed much younger than JV Star USA. The production for that collection was mostly Asia. JV Star USA uses better fabrics, some sourced in Italy, so it it’s more tactile. It’s sold at Saks, Neiman’s, Bloomingdales and in some of the JV stores in the United States and around the world.
FSD: How does it feel to be back in New York after your time in San Francisco?
KD: The three and a half years that my wife Nancy and I spent in San Francisco were wonderful. We truly loved Northern California and I think I learned as much from my students at Academy as they learned from me. Simon Ungless invited me to visit Academy in 2010 and then to join the faculty in 2012 and along with Gladys Perint Palmer and Elisa Stephens they showed me a level of trust that I truly respect. Having not been in education full time before, the three of them believed in me and supported my endeavors and I know that ultimately benefited the students and the University.
For me, New York is about being in the fast flowing river of design, product and marketing. New York isn’t for everyone, but I have been here since 1993, with the exception of my time in S.F. There’s no way around it ­­­- if you want to be in the white hot front line of fashion, you have to be in New York.
I always told students that it is important to experience it and graduates Stephanie Hendrawan, Taufik Marassabessy, Suchanya Tuchinda and others have all spent time working in New York after their studies. It’s really important and brings perspective.
One way Academy students can get to New York is by entering the YMA’s Fashion Scholarshipcompetition. Winners get a great opportunity to intern with the best companies in fashion.

FSD: How do your fashion, music and aesthetic styles coincide with Varvatos?
KD: John and I have a synergy and we share a taste level in menswear that appreciates both the beauty of fabric, the elegance of fit and finding a commercial way to push the boundaries. Obviously we both love music and have broad tastes. It’s very fitting that he has turned the former CBGB space into a tribute to its former glories as the petri dish of punk rock. Some wonderfully inspiring filth grew out of 315 Bowery. Today the space has wonderful clothes, beautiful fabrics and elegant decor, but they still serve you a beer when you enter the shop! That’s rock & roll.
FSD:  While you were teaching at the Academy, were there street styles you picked up from students that you think the brand can adapt in ways similar to the punk rebellion of the past?
KD: The students at Academy were always a constant source of inspiration for me. I think it is really interesting that so many overseas students come to San Francisco and bring an international style with them. Being the Senior Director of Fashion Merchandising at Academy was for me, like going back to college myself, in terms of inspiration. Young people are always inspiring, challenging, sometimes naïve…. but that mix is unbeatable.